Reviews

Lori Talcott, Grimoire (detail), 2025, neckpiece in oxidized silver, wool, vintage ribbon, 19 x 6 ½ x 1 ½ inches (483 x 165 x 38 mm), photo: artist

Jewels for the Underworld

Note: During the installation of Lori Talcott: Jewels for the Underworld in New York City’s SoHo, the writer of this review held multiple conversations with the artist. Talcott’s quotes below are pulled from those discussions. Lori Talcott:  Jewels for the Underworld, 2025 November 21–23, 2025 New York City Jewelry Week, New York Presented by Sienna Patti […]

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The Jewelry Book. Edited by Melanie Grant. Credit: Phaidon

The Jewelry Book Reviewed through an Art Jewelry Lens

Melanie Grant, ed., The Jewelry Book. London: Phaidon, 2025. I’m not immune to the allure of stones and precious metals, but I prefer studio jewelry and unconventional adornment. Nonetheless, I found Melanie Grant’s The Jewelry Book, which focuses heavily on high-end baubles, engrossing and enchanting. The book’s 300 jewelry-focused entries feature glorious examples of craftsmanship

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Harper’s Bizarre Beauty

Arnoldsche published Bizarre Beauty, a book about William Harper, last year. AJF timed the release of this review of it to coincide with and celebrate an unrelated exhibition, Precious Grotesqueries: The Jewels of William Harper. That show will run October 23–December 12, 2025, at Les Enluminures.[1] Glenn Adamson and Martha J. Fleischman (eds.), Bizarre Beauty:

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Rachelle Thiewes, Slide, 2015, in steel, silver, auto paint, 2 ¼ (57 mm) x 3 ⅝ inches (92 mm) in diameter, photo: artist

Paint: Rachelle Thiewes

Paint: Rachelle Thiewes El Paso Museum of Art, El Paso, TX, US May 30–September 21, 2025 Rachelle Thiewes’s new show, Paint, is something of a blockbuster. Thiewes has established a distinguished career over many years. Her several bodies of work surely merit a retrospective. This show, however, is comprised entirely of recent work. A whole

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Robert W. Ebendorf and various artists, ECU Charm Necklace, 2017, silver, copper, brass, enamel, mixed media, found objects, 48 x 5 x 3 inches (1,219 x 127 x 76 mm), Collection of The Mint Museum, Gift of Porter • Price Collection, 2022.49.7, photo courtesy The Mint Museum

Objects of Affection: Jewelry by Robert Ebendorf from the Porter • Price Collection

This substantive, educational, and enjoyable exhibition celebrates an innovative maker renowned for his technical and aesthetic contributions to studio jewelry Curated by Rebecca Elliot, it issued from the Mint Museum’s acquisition of a large amount of Ebendorf’s jewelry from the collectors Ron Porter and Joe Price, as well as the Robert W. Ebendorf Archive The

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Teresa Milheiro, Anti-bite fingerstalls, 1989, fingerstalls, chrome-plated brass, each 2 ¾–3 ⅛ x ⅝–1 inches (70–80 x 16–25 mm), photo: Eduardo Sousa Ribeiro, 2024

Pressures of the Self

1984 May 20–July 27, 2024 Galeria Zé dos Bois, Lisbon, Portugal This summer, the second Lisbon International Biennial of Contemporary Jewellery celebrated 50 years of democracy in Portugal, focusing on freedom, power, and democracy. The official program presented Teresa Milheiro’s solo show, 1984, at the Zé dos Bois (ZDB) gallery. This exhibition served as a rebellion, reflecting on how

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