Archive for February, 2007

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2007 Trips: Boston and Houston

May: Join us in Boston for the Daphne Farago Collection Opening

Join us in Boston on May 20 and 21 for the opening of the Daphne Farago collection at the Museum of Fine Arts. With a selection of about 150 objects, this collection exhibition will provide a chronological and thematic survey of studio jewelry in the twentieth century. While demonstrating the breadth of the collection and the variety of artists’ approaches to jewelry-making, the show also offers indepth exploration of works by many key artists.

It is shaping up to be a wonderful trip. Plan on returning home on Tuesday, May 22 as our Monday schedule will take us into the evening. Watch for more information to come in the next month or two. In the meantime, mark your calendar for this members-only opportunity.

September: We’re Off to Houston for the Grand Opening of the Helen Drutt Collection

Later this fall, September 26-30, we will be in Houston for the grand opening of the Helen Drutt collection at the Museum of Fine Arts. We are working on the agenda for this members-only trip in order to take maximum advantage of the various other activities being planned in conjunction with this opening. We will also find time to visit some of Houston’s other outstanding venues, including the DeMenil collection.

2008 AJF Grant Process

Because the Art Jewelry Forum is a non-profit organization designed to advocate the field of contemporary art jewelry by promoting education, appreciation and support for contemporary art jewelry, our grants support our goals and promote art jewelry to the broader community. Our grants may include, but are not limited to: publications, exhibitions, and conferences.

ANNUAL GRANTS

Although more than one grant may be made within a calendar year, no more than $5,000 in total will be awarded annually. For 2008, we will award up to $2,000. Grants will typically range from $500 to $1,500. AJF recognizes that this means applicants will need to seek additional funding elsewhere to cover the total costs of proposed project.

ELIGIBILITY

Museums, universities, other non-profit exhibition spaces and other organizations that are tax-exempt under Section 501-C-3 of the Internal Revenue Code may apply to support exhibitions originating within the United States that are scheduled to open prior to 2010. Previous awardees must wait three years before they are again eligible for a grant.

Exhibitions scheduled later than 2010 cannot be considered in this grant cycle.

Not eligible are individual artists, independent curators, writers and decorative arts scholars whose projects are not affiliated with appropriate tax-exempt institutions, and exhibitions originating outside the United States.

CRITERIA

Exhibitions, catalog publications, and related programming must be focused on contemporary art jewelry. We define “art jewelry” as objects made for wear or adornment by an individual studio artist (or artist collaborative) working within the field of metalsmithing and applied arts.

Exhibitions, catalogs, and programming may include a historical component or have a thematic approach—such as a review or comparison with major stylistic movements—but the emphasis must be on the work of a contemporary jeweler(s). One person exhibitions and monographs will be considered, as well as survey shows and accompanying catalogs that feature works by several artists.

AJF does not fund research and development, including study trips and travel to conferences.

CREDIT

The Art Jewelry Forum should be given sponsorship credit for helping to fund the exhibition or catalog whenever the project is mentioned in either written or electronic documentation, or during oral presentations.

POST-AWARD REQUIREMENTS

AJF requests an accounting of how the grant monies were utilized. Upon completion of the project, any written or digital materials—such as, but not limited to, the exhibition catalog, promotional materials, and CDs or DVDs—should be submitted to AJF. These materials should be accompanied by a brief one to two pages describing how the AJF Grant was used to bring the project to fruition.

APPLICATION REQUIREMENTS

Applicants should submit a detailed curriculum vitae (CV) that includes a publication and exhibition history, along with a prospectus that outlines the project and includes a preliminary budget, including an accounting of how the grant monies will be used. Other support materials may be submitted as deemed appropriate. Applications must be received by midnight September 30, 2008.

Five to ten digital images that represent work to be included in the proposed exhibition or catalog should be submitted with the written materials. Applicants may also include short videotapes or digital media that provide the background and/or context of the project. All visual materials should be clearly labeled, and a self-addressed stamped envelope should be included for return of the materials that cannot be submitted via email.

DEADLINE DATE

Applications for this cycle must be received no later than midnight on September 30, 2008. Please email as much of your application as you can to: info@artjewelryforum.org and send a copy by mail also.

Mail to:

Art Jewelry Forum
P.O. Box 823
Mill Valley, CA 94942

AJF Donations

During the past few years, AJF has provided donations for a variety of activities, events, and situations:

The Museum of Fine Arts, Houston - $500. Donation in support of the Museum’s acquisition of a piece by Keith Lewis.

SUNY New Paltz Foundation for the Metals Department Fund in New York - $700. This donation was made following the October 2005 trip where members had an opportunity to meet with students and faculty. The donation was the result of contributions made by trip participants.

Fuller Craft Museum, Boston, for support of “Jamie Bennett: Works Since 1977″ exhibition - $1,500

Craft Emergency Relief Fund - $500. Donation in support of efforts by CERF to assist artists hard hit by Hurricane Katrina.

2006 SOFA Chicago

Blue and Gold KnotStudio jeweler, Mary Preston, placed her work in the context of other jewelers who, like herself, embrace and abstract motifs such as lace and other traditional forms of ornamentation in the making of their work. This use of the Decorative Arts as subject matter represents a fresh and expanding lexicon in today’s contemporary jewelry. Aptly described by jewelry historian Bruce Metcalf as one of the jewelers”creating the ‘next moment’ in jewelry,” artist Mary Preston finds inspiration in historical pieces and lost crafts for her beautiful creations.

Green and Black TangleIn the case of her latest body of work, Preston seeks to “reinterpret the familiarity, formality and symbolism of the lace bow / ribbon as used in historical jewelry,” in a series of brooches, some silver, some gold, each combined with various gemstones. Progressing from the intricate, filigree nature of her earlier jewelry, Preston’s new work features broad surfaces of lightly textured gold or blackened silver, twisted and coiled to achieve flowing, voluminous forms, edges scalloped to connote the materials of reference. Complimenting the black and gold metal, color is threaded though the various layers of each brooch, like needlepoint sewn through these sensuous forms.

2006 Emerging Artist Winner: Natalya Pinchuk

Natalya-Pinchuk-brooch2The Art Jewelry Forum (AJF) is delighted to announce this year’s Emerging Artist Award Winner is Natalya Pinchuk. The jury was comprised of retired metals professor Arline Fisch, curator Gail M. Brown and well-known jewelry artist Nancy Worden. The jury chose from thirty-three entries representing all regions of the US as well as the Netherlands and Turkey. The criteria used to evaluate the entries were: originality, quality of craftsmanship and continuity of design. The jury was challenged and inspired by the high percentage of exceptional entries.

Pinchuk submitted a body of work she calls Growth Series. In Growth Series, bright flowers seem to sprout from the wearer in formations suggestive of colorful fungi thriving on a vine-like host. They appear to be indigenous to the steamy tropics and Dr. Suess. Juror Gail M. Brown described these whimsical felt, plastic and enamel creations as “daring and joyful.”

Natalya-Pinchuk-brooch2_detailNatalya Pinchuk’s work appears in the new Lark Books publication 500 Necklaces and will be included in the exhibition of the same title at Velvet da Vinci in San Francisco in November 2006. She is also represented by Charon Kransen in New York. Formal announcement of this award will be at SOFA Chicago, on Friday, November 10, at 1 p.m. in conjunction with an AJF-sponsored lecture by artist Mary Preston.2006 marks the seventh year that AJF, an organization that promotes education, appreciation and advocacy for contemporary art jewelry, has given an award to an emerging jewelry artist whose work shows exceptional promise.

SNAG 2007: Looking Forward, Learning from History

SNAG is offering a one-of-a-kind program just for jewelry collectors at
its annual conference at the elegant Peabody Memphis Hotel, June 13-16
2007. This exclusive offer gives entrée to special behind-the-scenes events,
as well access to the entire conference program and social events:• Intimate invitation-only reception welcoming the 12 conference speakers
including design authority Ralph Caplan, our Keynote Speaker
• Private tour of The Metal Museum by James Wallace, the executive
director of the museum
• Private tour of the Earl Pardon Retrospective exhibition, a Memphis
native, by his son Tod Pardon
• Private viewings of all the exhibitions featured on the conference’s
annual Gallery Night tour
• Specially arranged tours of local artists’ studios
• Private tour of a prominent local collector’s home
• Meet the artists who create the work that excites you

SNAG gives collectors and jewelry advocates a platform for dialogue
between makers and non-makers in our field. The conference opens the door
to a once-a-year opportunity to:

ENGAGE in thought-provoking conversations
EXCHANGE exciting ideas
SUPPORT and NURTURE students in the field
HEAR forums, lectures and discussion panels
MEET the editor and editorial advisors of Metalsmith
EDUCATE the public about jewelry and metal art
PROMOTE dialogue and debate amongst our members and non members

Cost is $725, not including hotel. For more information, please contact:kiwon wang
526 w 26th st. #704
new york, ny 10001
t:212.229.9332
f:212.229.9365
c:917.405.8976

Cost is $725, not including hotel. For more information, please contact: Register for the conference and make hotel reservations online at: www.snagmetalsmith.org
e-mail:kiwonwang@aol.com